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Music Industry Mastery: 24 Years, 7 Key Insights

This June, RadioFacts has been in business for 24 years. In that time, as the CEO, I've had a LOT of ups and downs. There were times I wanted to walk away, times I've loved it, times I've been frustrated and times I wanted to give up on the industry. But something always kept luring me back. Where am I now? In a GREAT place, RadioFacts is at its peak and I'm focusing more on industry business instead of just an industry site because we NEED more black businesses in the industry.

If I was a statistician and I was concentrating on the industry specifically, there are at least seven things I am confident I know for sure about our industry after 24 years from a national perspective. Ready? Here we go. Click “Next” below for the next segment.

Black People DO look out for other Black People

Racism DOES exist in our Industry

Another example, I called a record label and spoke to the white head of the label who told me … and I quote “I can't believe you actually have the nerve to call me.” I was shocked but not surprised. This is a label that makes a TON of money of rap product.

There are people on the radio side who play a TON of black music and have a ton of black concerts and events who want NOTHING to do with black people in the industry no matter how many pictures they take cheesing it up with black rappers. This does not apply to all of them but way too many to count.

Racism is always ridiculous but when it's evident that the perpetrators are only here to money off the black talent there is not much that can be done especially when the black artists don't speak up. They are the ones with the true power to change the situation.

Black Radio Talents Don’t Promote Their Efforts Enough

A MAJORITY of the press releases we get for RadioFacts for as long as I can remember are promoting white people. Black talent, especially at radio, RARELY are promoted and don't promote themselves to the trades. Promoting yourself on social media is OK but when it comes from a national 3rd party to THE INDUSTRY it has added benefits for the future of the talent. I've heard some people say, ‘we're rarely promoted, so there is no news.'  That, unfortunately, is true. The ladder for black talent in the industry is often missing many rungs but I also know many black radio people also fear self-promotion for corporate disciplinary action.

Please tell me what radio corporation has a policy against promoting yourself and I will call them myself and ask them what the problem is. That makes NO sense to me but I've heard it time and again. For those who don't promote themselves, I URGE you to look at the last segment.

We Rely TOO Heavily on Others to Get us to the Next Level

Black Women are More Compassionate and Participatory with Black Causes

I've heard black industry women talk about each other, mostly in positive ways. From this perspective, I see a LOT of support from black women for other black industry women and black industry business.

MOST of the complaints about nepotism often apply more to black men in power positions in the industry whereas black women tend to be more likely to give someone new a chance that she doesn't know that well but who is making a worthwhile contribution. When we do the Women of Color in Media magazine, we do run into a bit of animosity from some women who think they should be honored OVER other women but that's with ANY situation where people are being honored. Black women who are in competing positions with honorees still call and ask for copies of the magazine.

We Are Often Apprehensive About Stepping Outside the “Black Box”

Look at the success stories in the Black industry and you will see that people like Cathy Hughes, Charlamagne, Tom Joyner , Wendy Williams and others stepped outside the box and created their own paths to success by daring to be different and using all of their options. Black culture is not only prominent and valuable it is OURS. The industry KNOWS how valuable black culture is but the question is do WE? I have seen SO many examples of us giving away our talent and culture to other races then complaining about them stealing it. We are without question the ONLY race that allows every other race to borrow, use and profit from our culture with little response.

Comfortability, Retirement, Misplacement, Layoffs or Ageing Out Often Means Death

This is the MOST important thing RadioFacts has taught me. Over the years I have written many death notices with headlines that say “Vet Dies” in your emails. I can honestly tell you, at one time it started to take a toll on me and sent me spiraling into a dark funk. Mostly because a LOT of it was preventable. Yes, you read that right, PREVENTABLE. A majority of the people who get sick and die almost always have the same set of circumstances, they are not working and can't get back in the industry. They really die of broken hearts that morph into ailments and diseases. They get frustrated then depressed then ill and then they die.

Out of 100% of the deaths I've written about over the years at least 90% of the cases are what I described above. No joke when I say this… KEEP WORKING, PLAN FOR LIFE AFTER THE INDUSTRY AND PURSUE YOUR  OTHER PASSIONS… NOW!!! When you get up each day without goals, drive, passion or purpose you develop the soul of an invalid and it's hard to bounce back. Quite often this comes from a lack of preparation while we are working or failing to plan for the future and the refusal to accept a consistently changing industry. It will not change back to the industry that you once knew in your lifetime, accept the changes and be willing to go with them.

Kevin Ross
Kevin Rosshttp://blogwallet.com
Kevin "KevRoss" Ross is a music and radio industry expert. He is a 20 -plus year entrepreneur with the leading most successful industry trade publication and site Radio Facts (www.radiofacts.com). He has also published various books, magazines, performed marketing and promotions for major corporations and recording artists and he is on the advisory board of several industry organizations. This year Ross introduced his non profit organization LOMARI (Leaders of the Music and Recording Industry) to help teach young minority students how to market and manage their music and products.

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